Please take the time to find and examine every face and body and to notice their relationship in space to others, which I trust will give you a secret pleasure.
Click on any image to get closer.
(detail)
(detail)
(detail)
9.01.2001
BODYSCAPES I
My Bodyscapes Series isn't just looking for human geometry, but accumulations, coincidences, chance, knowing glances; masses of people are choreographies with more than a little accidental magic. Seeking to discover what draws people together surely will provide evidence for understanding what it is that also drives us apart.
Please take the time to find and examine every face and body and to notice their relationship in space to others, which I trust will give you a secret pleasure.
Click on any image to get closer.
(detail)
(detail)
(detail)
Please take the time to find and examine every face and body and to notice their relationship in space to others, which I trust will give you a secret pleasure.
Click on any image to get closer.
(detail) (detail) (detail)
6.01.2001
ANIMAL PORTRAITS I: PINNAWALA ELEPHANTS
Animals and children make for great portraits, they say. It's not so much that they can't protest--it's that they have no conception of vanity.
These beautiful, beautiful beasts are residents of the Pinnawala Elephant Orphanage in Sri Lanka. (c) 2006
Click on any image to get closer.
These beautiful, beautiful beasts are residents of the Pinnawala Elephant Orphanage in Sri Lanka. (c) 2006
Click on any image to get closer.
5.03.2001
5.02.2001
PORTRAITS II: FORMAL
...ish. Click on any image to get closer.
Ellie Williams, Deloitte and Touche LLP, for "The Apprentice" (c) 2006
ELLIE
Ellie Williams, Deloitte and Touche LLP, for "The Apprentice" (c) 2006
5.01.2001
1.03.2001
REPORTAGE III: MANY COOKS IN THE BRIDAL BROTH
A young woman's cross-cultural marriage makes her a necessary diplomat among many beauty-ambassadors in the preparation suite. (c) MMXL 2006
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Click on any image to get closer.
1.02.2001
REPORTAGE II: SAFE SEX, PLEASE
Everyone's a dead man in this call to AIDs awareness by playwright Harvey Fierstein, here directed by Marc Boucai in a college production at Swarthmore College, PA (2002).
On stage, the finale "Malibu fuck barbies" sequence is performed to Natalie Choquette's comic rendition of La Traviata. Choreography by MMXL. Note that these images are digital scans of hand processed black and white film.
Click on any image to get closer.
On stage, the finale "Malibu fuck barbies" sequence is performed to Natalie Choquette's comic rendition of La Traviata. Choreography by MMXL. Note that these images are digital scans of hand processed black and white film.
Click on any image to get closer.
1.01.2001
REPORTAGE I: EARLY INFLUENCES
I was 16 years old when I reservedly documented the physical therapy work we as group of international school students engaged in with HIV/AIDs patients in a Catholic-run, Kloeng Toey slum, Bangkok hospice. Not only do I not know of the welfare of the patients in these pictures, but I lost sight of my dear friends who were on that trip (Sophie and Adam, here pictured) years ago. Thus I call this reportage one of my own memory, rather than of the people, scenes, events herein.
Note that these images are digital scans of hand processed black and white negatives.
Click on any image to get closer.
Note that these images are digital scans of hand processed black and white negatives.
Click on any image to get closer.
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